Lucio Capece, a musician from Argentina, has lived in Berlin since 2004. He trained as a classical and jazz musician, in Buenos Aires, Lyons and New York (where he studied with Marilyn Crispell, Gerry Hemingway and Tim Berne, among others). Since 2000, he has been involved with electroacoustic improvisation, 'preparing' his wind instruments (clarinet, soprano sax and Sruti Box) and applying techniques and extensions of his own invention. These instrumental devices allow him to create simple polyphonies, based on noises and sounds, which emphasize a holistic approach to listening. He then goes on to further reduce the use of instruments, focusing on harmonics and microtonalities, maintaining some attention to the acoustic properties of the spaces that host his concerts. Conditional Music is a more thorough examination of precisely this approach, performed in its first version in the cathedral of Bern in October 2012, a module that intends to create a deep listening experience using spectralistic and psychoacoustic techniques. Capece directed a sound-lights-acusmatic project at the Bauhaus Archive, Berlin, in 2007, performing with the Light-Space Modulator, the legendary kinetic sculpture built by László Moholy-Nagy in 1922-1930. His joint projects and audio co-productions include collaborations in recent years with Mika Vainio, Toshimaru Nakamura, Axel Dorner, Kevin Drumm, Robin Hayward, Rhodri Davies, Burkhard Beins, Mattin, Julia Eckhardt, Franz Hautzinger, Domenico Sciajno, Radu Malfatti, Keith Rowe, Taku Sugimoto, Sean Meehan. He has also performed in projects by Phill Niblock, Christian Wolff and Pauline Oliveros, and in the Q-O2 Ensemble.